I’ve replaced the first released posted for The Family with an UHQ version, and have also added over 70 HD caps of Dianna in the trailer.

I have also uploaded a HD logoless version of the first trailer for The Family. If using caps from this video on another fansite or re-uploading, please credit dianna-agron.org!

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• The Family US Trailer #1

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• Film Productions > [2013] Malavita/The Family > Posters
• Film Productions > [2013] Malavita/The Family > Trailer Screencaps

Dianna is featured on the first official poster for The Family!

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• Film Productions > [2013] Malavita/The Family > Posters

Dianna’s The Family co-star Michelle Pfeiffer and director Luc Besson recently did an interview where they talked about the movie. There’s not a lot on Dianna, but it does give a few hints! Be warned, there’s some spoilers.

After ratting out their Mob family, Fred and Maggie Manzoni try to maintain their biological family in the witness protection program. But they’re assigned to live in Normandy, France, and it doesn’t sit well with them. The Brooklynites have trouble with the locals and revert to Mob tactics.

“They have trouble breaking old habits,” says Pfeiffer. “The entire family, including the children, have anger-management issues. The apple doesn’t fall too far from the tree in this case.”

For example, Fred has issues with the local plumber. “If he meets the plumber and the plumber tries to fool with him, then that guy will die,” says Besson. “The whole family is like that. If you contradict them you are in trouble.”

Meanwhile, when Pfeiffer has a run-in with a wife at the grocery story, she burns down her house. The grown son (John D’Leo) and daughter (Dianna Agron) are even worse with the local kids. Even the family dog, Malavita, is “a hard-ass,” says Besson.

….

Tommy Lee Jones stars as the FBI agent assigned to keep the family in line and safe from enemies seeking retaliation. The movie also features the input of Goodfellas director Martin Scorsese, who came on board as an executive producer. In Besson’s view, seeing Scorsese laugh while watching the film was the greatest endorsement of all.

“It helps me a lot because it almost gives you an authorization from the sky, from God,” says Besson. “If he thinks it’s correct and funny and great, then I am in pretty good shape.”

[source]

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